How To Make Cells In A Pouring Acrylic Painting

What causes cells when pouring acrylic?

When there is a difference in density between the paint colors in acrylic pouring, cells tend to form. There are several ways to achieve cells in an acrylic pour, however, the number of cells that form and the size of the cells are mostly governed by the color density differences. Some pigments in paint are denser than others.

acrylic pouring

The following are the basic approaches for creating cells in your fluid painting:

  1. Varying density of the paint
  2. Silicone additive
  3. Using the torch method
Varying density of the paint

Changing the consistency and density of the paint is the best way to create cells in an acrylic pour. Every color of paint has its unique gravitational pull, and when you layer the least dense paint on the bottom and the densest paint on top, the denser paint pushes down and the less dense paint rises to the top, causing the cells to form.

Silicone additive

The use of silicone as an acrylic pouring ingredient is a hot topic among acrylic pourers. Many artists avoid using silicone as a cell component in their fluid acrylic paintings since it can decrease the archival quality of the finished work in some circumstances. One of the reported disadvantages is that it can cause paint to yellow, and this medium can drastically impair your artwork with time. It’s also probably not a good idea if you have a strong sensitivity to chemical odors.

Using the torch method

If you don’t want to use silicone to make cells, you can use the torch approach instead. A chef’s torch or a burner can be used.

In your acrylic pouring painting, there are two main reasons to use the torching method:

Torching is one method for eradicating bubbles from your acrylic pour’s surface. This can help to avoid holes and flaws in the finished dried artwork.
To have more precise control over the placement of smaller cells in your fluid artwork. Alternative heat sources like a heat gun or a blow dryer, on the other hand, tend to move the paint too much.

If you want to make a lot of smaller cells, the torch approach can be a suitable choice. You also have a lot more control over the placement of the smaller cells in the artwork. If you wish to make fewer but larger cells, the torch method isn’t the greatest option, and you should attempt methods 1 and 2 instead.

Source: Fluidartprojects